Karlheinz Stockhausen’s Aus den Sieben Tagen (March 1968) is a reaction to the global and personal crises that took place in the period of its composition. The music could be called 'intuitive,' in the sense that it was created primarily on the basis of intuition, rather than the technique of its performers, and is a felt, natural attempt to solve psychological difficulties and challenges. In view of the events of 2020-21, it's fair to say that the piece is once again particularly relevant, dealing as it does with themes such as insufficient social contact, uncertainty, and the fragility of life and its values.
This site-specific performance features an exceptional ensemble which includes Gareth Davis (Merzbow, Christian Marclay), electronic musician Robin Rimbaud (Scanner), Roland Dahinden (Miles Davis, Anthony Braxton), Dario Calderone (Klangforum Wien), Motorpsycho drummer Tomas Jarmyr, Agathe Max (Rhys Chatham, Animal Hospital) and Czech singer Markéta Schaffartzik. Collaborating with light designer Barbora Jágrová, this eclectic group of musicians uses elements of experimental rock, improvisation, jazz, and contemporary music to fashion a piece that lives and breathes in the here and now.
Aus den Sieben Tagen departs from traditional expectations of a concert: audience members are encouraged to move around during the performance, to be aware of their surroundings, to walk or even lie down, to think. They're surrounded by the musicians, and so don't need to focus on a stage,but can immerse themselves in a world of sound and light, as the details in the architecture around them are emphasised, adding another layer to the music.