The Legendary Alfred Brendel Puts On a Cine-Meeting in Prague March 31 – April 7, 2014 The Austrian pianist Alfred Brendel, one of the most distinguished musicians of the 20th century, is also well known as a poet, essayist, and film connoisseur. He has given concerts in Prague many times. Last year, thanks to the kind invitation by Prague Music Performance Institute and Festival, we had a chance to see him in yet another role. In two lectures, he presented his two books about music: Schubert’s Last Sonatas, a APianist’s Alphabet. His serious as well as humorous insight into the world of music met with a most hearty welcome from both the general public and experts.
Mr. Brendel is returning to Prague, this time to share his passion for movies. Again, by the invitation of Prague Music Performance, and in collaboration with Czech National Film Archives and the Austrian Cultural Forum in Prague, Alfred Brendel will personally introduce each of his 14 most favorite movies. He named his cine-meeting held in the Ponrepo Theater between March 31 and April 7 “Between Dread and Laughter”. The grotesque, humor, dread and horror, and the combination of the artistry of the world’s major filmmakers with the witty observations of the legendary musician is something that only Vienna have witnessed so far! Now, Prague has the honor and privilege as well. Alfred Brendel is greatly adept in Jan Švankmajer’s work, and he greatly appreciated Švankmajer’s collaboration with the Czech composer Zdeněk Liška. In fact, the films by Jan Švankmajer will open the cine-meeting event. Classical masterpieces by Buster Keaton, Luise Buñuel, Carlose Saura, Woody Allen, Lindsay Andersen, and others will follow, always with the commentaries by the unforgettable Alfred Brendel.
Screenings at Ponrepo start each day at 5:30 PM and 8 PM. Tickets available at the door at Ponrepo Theater, Praha 1, Bartolomějská 11. 31.3. 17.30 Slavnostní zahájení přehlídky / Opening Ceremony 18.00 Jan Švankmajer – výběř / selection Alfred Brendel ČSR 1964–71 / celkem 50 min. 20.00 Charles Chaplin /Světla velkoměsta/ City Lights USA 1929 / 87 min. 1.4. 17.30 Georg Wilhelm Pabst / Žebrácká opera / Die Dreigroschenoper Německo 1931 / 91 min. 20.00 Buster Keaton / Překažené námluvy / The Scarecrow USA 1920 / 15 min. Buster Keaton – Charles F. Reisner / Plavčík na sladké vodě / Steamboat Bill jr. USA 1928 / 65 min. 2.4. 17.30 Tod Browning / Zrůdy / Freaks USA 1932 / 56 min. 20.00 Mark Kidel / Alfred Brendel – Člověk a masky / Man and Mask Německo – Velká Británie 2001 / 70 min. 3.4. 17.30 George Cukor / Večeře o osmé / Dinner at Eight USA 1933 / 103 min. / 20.00 Charles Chaplin / Monsieur Verdoux / Monsieur Verdoux USA 1947 / 116 min. 4.4. 17.30 René Clément / Zakázané hry / Jeux interdits Francie 1952 / 85 min. 20.00 Karel Reisz / Morgan, případ zralý k léčení / Morgan: A Suitable Case for Treatment Velká Británie 1966 / 90 min. 5.4. 17.30 Lindsay Anderson / Kdyby / If Velká Británie 1968 / 104 min. 20.00 Víctor Erice / Duch úlu / El espíritu de la colmena Španělsko 1973 / 92 min. 6.4. 17.30 Carlos Saura / Starý dům uprostřed Madridu / Cria cuervos Španělsko 1976 / 102 min. 20.00 Louis Malle / Šelest na srdci / Le souffle au cœur Francie 1971 / 120 min. 7.4. 17.30 Luis Buñuel / Tajemný předmět touhy / Cet obscur object du désir Francie – Španělsko 1977 / 97 min. / s. 18 20.00 Woody Allen / Zelig / Zelig USA 1983 / 71 min.
Alfred Brendel studied piano and composition in Zagreb and Graz, completing his piano studies with Edwin Fischer, Paul Baumgartner and Eduard Steuermann. For 60 years he has enjoyed a distinguished international career concentrating on the works of central European composers from Bach to Schoenberg as well as featuring many works by Liszt. He was the first pianist to record Beethoven’s complete piano works, and was highly influential in getting Schubert’s Piano Sonatas and the Schoenberg Piano Concerto recognised as integral parts of the piano repertoire. He has performed regularly at the world’s musical centres and festivals, and with the leading orchestras and conductors, and his extensive discography has made him one of the most respected artists of our time. His final concert appearance was with the Vienna Philharmonic on December 18, 2008, which was voted one of the 100 greatest cultural moments of the last ten years by The Daily Telegraph. He has received honorary degrees from many universities including Oxford and Yale and was awarded an honorary KBE in 1989. In 1992 he received the Hans von Bülow Medal from the Berlin Philharmonic and was granted Honorary Membership of the Vienna Philharmonic Orchestra in December 1998. In 2001 he was recipient of the “Lifetime Achievement” awards at both the MIDEM Cannes Classical Awards, and the Edison Awards in Holland, as well as the prestigious “Beethoven Ring” from the Universität für Musik und darstellende Kunst in Vienna. He has received the Leonie Sonning Prize, the Robert Schumann Prize, the 2002 South Bank Show Classical Music Award, as well as the 2004 Ernst von Siemens Prize, the 2007 Venice Prize “A life for music”, the 2008 Karajan Prize, the 2009 Praemium Imperiale in Tokyo and the 2010 Gramophone “Lifetime Achievement” award. Besides music, literature has remained Alfred Brendel’s foremost interest and second occupation. He has published two books of essays, Musical Thoughts and Afterthoughts and Music Sounded Out the latter of which was awarded the 1990 Royal Philharmonic Society Music Award for writing. A volume of collected essays, Alfred Brendel on Music, came out in January 2001 to mark his 70th birthday. There are also three German collections of poems which have been followed by a volume of collected poems, Spiegelbild und schwarzer Spuk, as well as volumes of translations into French, Italian and Dutch. Two English selections entitled One Finger Too Manyand Cursing Bagels appeared in the Faber Poetry Series. A bilingual edition of collected poems (“Playing the Human Game” Phaidon Press 2010) is widely available. A book of conversations with Martin Meyer, Ausgerechnet ich, was published in 2001, its English version (2002) bearing the title The Veil of Order. Alfred Brendel has given, and continues to give, lectures, poetry readings and masterclasses, at the Festivals of Salzburg and Verbier, the Vienna Musikverein and Konzerthaus, the Wigmore Hall in London, and the music universities and concert halls of major German cities and throughout Europe. He has taught at the Cité de la Musique in Paris, and as guest professor in Cambridge. His North American activities include the Juilliard School New York University, Berkeley, CAL Performances, McGill in Montreal, Princeton and Yale.